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          That brief comparison makes the two films sound more similar than they 
   are. This one is kind of the kindler, gentler version. In Going Places, the boys are a couple of hooligans, and their failure 
   to please their live-in lover is only a small part of the story, In Get Out 
   Your Handkerchiefs, they are a couple of guys with standard middle-class 
   values, and the sexual breakthrough is the entire story. Depardieu plays a 
   young husband who can't make his wife smile any more. In fact, his wife 
   (Carole Laure) doesn't seem to be interested in life at all. In order to 
   bring some spring back to her step, Depardieu recruits her a new lover (Dewaere), 
   a lonely, bookish fellow whose life consists of his library and Mozart. Laure 
   seems to like him well enough, but there is no emotional connection between 
   them, just as there was none between Laure and Depardieu. Their mutual 
   failure to inspire Laure creates a bond between the boys, and they gradually 
   rope in an-ever expanding circle of people into the Laure project, all the 
   while treating her as if she is not there, and talking about her as if she 
   were a pet cat. 
   When they get out to the country, Laure finally takes an 
   interest in something - a 13 year old boy, with whom she forms both a 
   maternal and a sexual bond. When the boy is carted off by his parents and 
   shipped to a new boarding school, Depardieu and Dewaere help Laure kidnap the 
   boy, for which they go to jail. When they get out, they peek in on Laure 
   through an open window, see her contentedly pregnant. They shrug their 
   shoulders and move on, obviously resigned to never understanding women, but 
   happy that Laure is happy. 
   The film was considered kind of a trifling but amusing 
   effort in France, and was not even nominated for a Cesar, except for the 
   musical score. America's arthouse community, on the other hand, embraced it 
   and named it the best foreign picture! 
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                DVD info from Amazon.
                 
                
                  
                  widescreen anamorphic 1.66:1 
                   
                  - 
                  
no 
                  meaningful features, but the English-speaking viewer may 
                  choose between dubbing and subtitles  
                 
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                Tuna's Thoughts 
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                Preparez vos Mouchoirs (1978), 
                titled Get out Your Handkerchiefs in the US, is a wonderful but 
                quirky comedy starring Gérard Depardieu as Raoul and Carole 
                Laure as his wife Solange. Solange has taken to depression 
                lately, and, in desperation, Raoul enlists the aid of a 
                stranger, Stephane (Patrick Dewaere) in a restraunt to bed her 
                and hopefully cheer her up. The three become close friends over 
                lots of wine and lots of Mozart, but Solange is still depressed, 
                and is having fainting spells. The doctors all say, "It is 
                nothing ... just her nerves ... that will be $40.00." The three 
                decide to spend the summer running a summer camp, and a very 
                bright 13 year old who is hazed by the other kids puts the glow 
                back in Solange's cheeks. 
                 
                Laure shows breasts numerous times, and has a long full frontal 
                in good light. The DVD is a very good transfer in the original 
                aspect ratio, and gives you your choice of English or French 
                spoken language and sub-titles. IMDB readers say 7.4 of 10. The 
                film won the Oscar for best foreign language film, a Cesar for 
                best music, and a National Society of Film Critics Awards, USA 
                best film. It was also nominated by the Goldon Globes for best 
                foreign language film. The film has nudity, is a totally unique 
                comedy, it technically well made, in other words, it is my kind 
                of film. B. 
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                The
                Critics Vote 
                
                
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                The People
                Vote ...  
                
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                | IMDb
                guideline: 7.5 usually indicates a level of
                excellence, about like three and a half stars
                from the critics. 6.0 usually indicates lukewarm
                watchability, about like two and a half stars
                from the critics. The fives are generally not
                worthwhile unless they are really your kind of
                material, about like two stars from the critics.
                Films under five are generally awful even if you
                like that kind of film, equivalent to about one
                and a half stars from the critics or less,
                depending on just how far below five the rating
                is. My own
                guideline: A means the movie is so good it
                will appeal to you even if you hate the genre. B means the movie is not
                good enough to win you over if you hate the
                genre, but is good enough to do so if you have an
                open mind about this type of film. C means it will only
                appeal to genre addicts, and has no crossover
                appeal. D means you'll hate it even if you
                like the genre. E means that you'll hate it even if
                you love the genre. F means that the film is not only
                unappealing across-the-board, but technically
                inept as well. 
                Based on this
                description, this film is a C+ (Scoop) to B (Tuna). 
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