| The film centers around Zelda (Eleanor Hutchins), a 
          woman who is living a Bohemian lifestyle with her poet boyfriend and 
          their baby in a Brooklyn apartment. They live with dozens of other 
          people, including her best friend, who is recovering from an overdose. 
          Zelda and her friends, all recent moms, meet for girl talk and $2.00 
          Margaritas at a sidewalk bar. They morn the loss of their exciting, 
          carefree lives, and they discuss such wide-ranging topics as lactation, reduced sex 
          drive after childbirth, and trying to get Medicare for their babies. 
 Zelda does not have the ideal mate in Max, in that he goes out most 
          nights, is not exactly a breadwinner (she does freelance illustrations 
          for a porn mag to help), uses drugs, and tends to get into fights. She 
          wants better for her daughter.
 | 
    
        |  | Basically a character driven drama, this film will be 
          understood by any woman who has ever given birth. The acting is 
          genuine and believable. The story managed to avoid being a melodrama, 
          which it could easily have fallen into, and even has a surprise 
          ending. The photography and sets look very good for what was clearly a 
          low budget production. | 
    
        | 
            
                | The
                Critics Vote | The People
                Vote ...  
                    IMDB summary. 
                    IMDb voters score it 6.5/10 (statistically 
                    insignificant) 
                    with their dollars: once again, there was 
                    a great disparity between its popularity in England and the 
                    USA. It grossed about $31 million in the USA, only $4 
                    million in the UK, a proportionate difference not accounted 
                    by the population ratio. |  
                | IMDb
                guideline: 7.5 usually indicates a level of
                excellence, about like three and a half stars
                from the critics. 6.0 usually indicates lukewarm
                watchability, about like two and a half stars
                from the critics. The fives are generally not
                worthwhile unless they are really your kind of
                material, about like two stars from the critics.
                Films under five are generally awful even if you
                like that kind of film, equivalent to about one
                and a half stars from the critics or less,
                depending on just how far below five the rating
                is. My own
                guideline: A means the movie is so good it
                will appeal to you even if you hate the genre. B means the movie is not
                good enough to win you over if you hate the
                genre, but is good enough to do so if you have an
                open mind about this type of film. C means it will only
                appeal to genre addicts, and has no crossover
                appeal. D means you'll hate it even if you
                like the genre. E means that you'll hate it even if
                you love the genre. F means that the film is not only
                unappealing across-the-board, but technically
                inept as well. Based on this description, this 
                film is a C-. Certainly not for everyone, 
                but character driven drama fans intrigued by the subject should 
                give it a try.  |  |